Calligraphy by Modern Artists: |
Kahitsukan Collection |
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The Kahitsukan, where calligraphy works are displayed; the 5th-floor tea room"Chashitsu"
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| Introduction@---------------------------------------------------------------------------------------- |
gModern Artistsf Calligraphyh stands apart from the calligraphy of traditional calligraphers; within its free expression, unbound by the conventions of the calligraphy world, lies the concentrated essence of the artistfs refined sensibility. |
Yoshitomo Kajikawa Director, Kahitsukan E Kyoto Museum of Contemporary Art |
| Works@@-------------------------------------------------------------------------------------------------------- |
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Rosanjin Kitaoji, "Do-PPo-Sei-Ten"The Blue Cliff Record: Walking alone under the Blue sky
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Kagaku Murakami, "Shin-Soku-Ze-Butsu" Buddist doctrine
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Kotaro Takamura, Yamaniyukite |
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Togyu Okumura, "Setsu-Getsu-Ka"Snow, Moon and Flower |
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Shiko Munakata "Mu-jin-Zo", Buddist term
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| Calligraphy by Modern Artists |
Yoshitomo Kajikawa |
For over a thousand years, calligraphy has been an integral part of traditional Japanese culture. Until just a hundred years ago, everything?from official documents and letters to town signs and even the teru teru bozu dolls hung from eaves?was written with a brush. By examining a personfs handwriting, one could infer their social status, occupation, age, personality, and even their ideological leanings. @ However, with the rapid development of movable type, the diversity of brush-written text was supplanted by the uniform clarity of printed typefaces, and calligraphy became the exclusive domain of a select few?the calligraphers. Furthermore, in recent years, calligraphy classes have been removed from the mandatory curriculum in schools, and with the spread of computers and email, the very act of writing by hand is disappearing from daily life?a trend that is eroding the foundation of our spiritual world. @ Amid these circumstances, observing the calligraphy of modern Japanese artists allows us to rediscover the value of what has been lost and to recognize the true essence of calligraphy. Rather than merely pursuing technical mastery, the writer expresses the words they wish to write, following the promptings of their heart. The individuality honed in their respective fields and the passion for creation dwell within the calligraphy, and the writerfs very life is transmitted from brush to paper along the shortest possible path. And woven into a single sheet of paper are the unique rhythms of that personfs thought and the full spectrum of human emotions?joy, anger, sorrow, and pleasure. Calligraphy reflects unexpected inner thoughts and history in the spaces between the words. The life of calligraphy lies in transforming the landscape woven by brush, ink, inkstone, and paper into a space for contemplation. As the saying goes, gCalligraphy is the person,h the viewer can encounter the artist through the calligraphy. At times, they may be deeply encouraged, find their hearts healed, and be led to reflect on their own way of life. @ When the characters change, so do the ideas. For modern artists, calligraphy is another facet of their identity; for contemporary people tossed about by the tides of the times, might it not serve as a guide to the concept of the gselfh? As the saying goes, gIt is not the person who polishes the ink, but the ink that polishes the personh; within a single, one-of-a-kind calligraphic work, inner aspects that even the artist themselves may not have realized come to light. The artistfs thoughts and philosophy take residence in the brush, ink, and paper, giving birth to calligraphy that is spontaneous and ingenious. Is this not both the daunting aspect and the true delight of calligraphy? @ The fourteen artists featured in this exhibition understand the rigors of calligraphy and yet enjoy it wholeheartedly. Their works are a distillation of their refined aesthetic sensibilities and philosophies. |
( Director, KahitsukanEKyoto Museum of Contemporary Art ) |
Kahitsukan, Floor |
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Kokuta Suda,"Kon-Ton-Kyo-Ki" Chaos and Madness
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Kenkichi Tomimoto,"Ko-chu-jitsu-getsu" Chinese Folktales
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Ryuzaburo Umehara,"Ko-Bai" Red plum |
Ryuzaburo Umehara "Haku-Bai", White plum |
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Yuki Ogura, Buddhist Terms"Ko-Myo-Jin" Its True, Pure Form |
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Morikazu Kumagai, "Go-hu-Jyu-U"Five winds and ten rains
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Kahitsukan Floor |
| General Information ---------------------------------------------------------------------------------- |
Calligraphy by Modern Artists: |
Kahitsukan Collection |
Wednesday June 10 |Sunday September 27 2026 Opening Hours@10:00 a.m. | 6:00 p.m. (admission till 5:30 p.m.) Closed@Mondays (Open on July 20, September 21) Venue@Kahitsukan - Kyoto Museum of Contemporary Art Location@271, Kitagawa, Gion, Higashiyama-ku, Kyoto 605-0073 JAPAN @@Admissions@General JPY 1,500 ^@Students JPY 1,300 @@Anniversary Issue@ gCalligraphy by modern artists h, JPY 4,000 Museumfs Collection of Kitaoji Rosanjin on view in the basement |
| Goods ---------------------------------------------------------------------------------- |

Anniversary Issue
gCalligraphy by modern artists(Japanese edition only)h, JPY 4,000
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œ Postcards 8 postcards sold in sets, JPY 1,500 |